Cotton Jones

www.myspace.com/thecottonjonesbasketride

BIOGRAPHY:

People who live at high altitudes must develop physiological adaptations to the decreased amount of oxygen available in order to maintain homeostasis.  The list of adaptations includes a heart that is proportionally larger than that of a person living at sea-level.
Michael Nau and Whitney McGraw have hearts – huge, questioning hearts – full of music that mixes elements of soul, rock and gospel into a gauzy cocoon of small-town sound.
It began as the Basket Ride, a few years ago, when the idea began to come to a head.  Then, without intent, Cotton Jones became the core. A new flexibility comes from a new name.  These days Nau is making music very differently than he did in Page France.  The original paranoia that haunted him has dropped off.  "This feels like a new leaf to me. I've learned to let the music happen, rather than trying to invent something," says Nau, "I'm still sifting through some imaginary thesis, but it makes more sense now."
The result of his personal revelation is Paranoid Cocoon: the debut full-length for Suicide Squeeze.  It's an album full of quiet, wooden psychedelia that reflects the duos' casual pursuit of comfort and freedom under the mountains of Cumberland, Maryland, where creeks zigzag in the lonesome dark of the forest, and a red moon hangs overhead.  These are songs of leaving, of dreams both good and bad, sung from surroundings they've known their whole lives. 
According to Nau, "There's no intentional theme behind these songs. Cocoon didn't span a lengthy duration of time, so head-space and moods tended to remain thread-like throughout. I believe there's a familiar mood from start to finish...the lyrics work like visuals of such moods."